Author Archives: WILLZZZZ
Above the ground plane
The brief requires between 5000-10000 square metres of space and I think that is probably not going to be achieved realisitically (at least in terms of flooding?) by putting it all underground. The site covers something like 1000sqm, so I’d
Above the ground plane
The brief requires between 5000-10000 square metres of space and I think that is probably not going to be achieved realisitically (at least in terms of flooding?) by putting it all underground. The site covers something like 1000sqm, so I’d
The Tanks
http://www.guardian.co.uk/artanddesign/2012/jul/01/tanks-tate-modern-review These really are amazing spaces, I think the monumental scale of this is going to be something that is important to embody in my design, though I don’t think it’s a particularly good idea to emulate them, as I
The Tanks
http://www.guardian.co.uk/artanddesign/2012/jul/01/tanks-tate-modern-review These really are amazing spaces, I think the monumental scale of this is going to be something that is important to embody in my design, though I don’t think it’s a particularly good idea to emulate them, as I
Ramps + public spaces
Is there a way that ramps can be included in the design to form an integral part of the design? Starting to look at how ramps can be used to create the public space and then extend down into the
Ramps + public spaces
Is there a way that ramps can be included in the design to form an integral part of the design? Starting to look at how ramps can be used to create the public space and then extend down into the
Going underground
I think the idea of going underground with my proposal makes sense as I really think there is a need for some negative space to counteract the heaviness other the two brutalist institutions of the Museum and QPAC as well
Going underground
I think the idea of going underground with my proposal makes sense as I really think there is a need for some negative space to counteract the heaviness other the two brutalist institutions of the Museum and QPAC as well
OMA – Casa da Musica
http://oma.eu/projects/2005/casa-da-musica To me, this project is an interesting example of a relatively conventional architecture that embodies elements of what I’m investigating with regards to creating sound experiences that are not within the traditional ‘ideas’ of a music performance venue. I
OMA – Casa da Musica
http://oma.eu/projects/2005/casa-da-musica To me, this project is an interesting example of a relatively conventional architecture that embodies elements of what I’m investigating with regards to creating sound experiences that are not within the traditional ‘ideas’ of a music performance venue. I
Parallax
Holl, S. (2006). Parallax. New York: Princeton Architectural Press. Aside from the fact that this reads like the ramblings of a crazy dude, Holl makes some interesting observations in the chapter “Working with doubt” that I think are pretty relevant
Parallax
Holl, S. (2006). Parallax. New York: Princeton Architectural Press. Aside from the fact that this reads like the ramblings of a crazy dude, Holl makes some interesting observations in the chapter “Working with doubt” that I think are pretty relevant
Sonic Narrative and non-linearity
Helyer, N. (2011). The Nomadic Ear – Sonography, Cartography and the design of Sonic Narratives for Nonlinear Experience. In B.Labelle & C. Martinho (Eds.), Site of Sound #2: Of Architecture and the Ear (pp.112-126) Berlin: Errant Bodies Press. This
Sonic Narrative and non-linearity
Helyer, N. (2011). The Nomadic Ear – Sonography, Cartography and the design of Sonic Narratives for Nonlinear Experience. In B.Labelle & C. Martinho (Eds.), Site of Sound #2: Of Architecture and the Ear (pp.112-126) Berlin: Errant Bodies Press. This
Times Square – Max Neuhaus
I guess what I love about this work is that it is so exclusively sound-based and yet it creates a place that is distinct from the rest of it’s location. It exists on the border of perceptability, with no indication
Times Square – Max Neuhaus
I guess what I love about this work is that it is so exclusively sound-based and yet it creates a place that is distinct from the rest of it’s location. It exists on the border of perceptability, with no indication
Singing Ringing Tree – Tonkin
Not sure I really need to say much more about this.
Singing Ringing Tree – Tonkin
Not sure I really need to say much more about this.
Week 6 Question
What are the meaningful findings from your site analysis/context research which inform your master plan and conceptual design process? Overall, the [grey st] precinct functions in a fairly sucessful way, relying heavily on ground floor trading in order to activate
Week 6 Question
What are the meaningful findings from your site analysis/context research which inform your master plan and conceptual design process? Overall, the [grey st] precinct functions in a fairly sucessful way, relying heavily on ground floor trading in order to activate
indeterminable indeterminacies 